Werner Dütsch Movies

In Italy, immediately subsequent to the war, a group of people who lost all they possessed during the conflict, settle in a village in ruins. They...

Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in...

Interviews with six of the mass murderers from Sabra and Shatilla. The faces are in black and are not identifiable.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Ten shots of skies.

German TV Documentary for WDR about Fritz Lang

Documentary about the first German foreign deployment of German soldiers in Kosovo since the Second World War in 1995.

Film scholar Helmut Färber discusses Griffith' A CORNER IN WHEAT.

Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of...

The film documents a debate about early 20th century films, mainly 1910 to 1920, from short news reels to excerpts from full-length movies. At...

A documentary, a drama, a story of myth and murder. Wanted is a weird, wilderness, western, set in the Dakota Badlands, where the last herd of...

What venture capital or VC for short actually means is explained in the film itself. Banks only lend money against collateral. Those who have none...

Excerpts from the novel Donna di Messina (1949 and 1964, 1967) by Elio Vittorini (1908-1966).

Television essay about Jean Renoir and his films, in which, among other things, the filming conditions of Partie de campagne are discussed.

TV documentary about the bicycle sequence in Ozu`s Banshun (Late Spring)

Helmut Färber makes connections between architecture and film

Harun Farocki Interviews Andreas von Rauch, lead actor in Straub-Huillet's "The Death of Empedocles.

Documentary about the films of John Ford.

With their border crossings, transit routes and their control by the “Volks-Polizei” (GDR police), with their concrete slabs and their...

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”,...