Stephen Dwoskin Movies

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film...

Described by Stephen Dwoskin as "a documentary without being one," the basis of BEHINDERT is autobiographical: the story of a physically disabled man...

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

Short experimental film by Stephen Dwoskin.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

Filmmaker Jonas Mekas films 160 underground film people over four decades.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and...

It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of...

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting....

Liu, crying, sings "Signore, ascolta!" Liu can bear it no more. She sinks to the ground, exhausted and sobbing. Puccini makes tears of joy and of...

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert...

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.